On this occasion, I’m going to share a decision I made
to save money when producing advertising brochures: Making it absolutely clear
that the ownership of the brochures belongs to the company that paid the
creatives (whether freelancers or an advertising agency) and the printers.
Because what happens in almost every company?
The company commissions an external designer or an
agency to design a brochure… and pays them for it. Then, it hires a printer or
the same agency that designed it to print the brochure… and pays for that too.
After some time, the company needs more copies of the brochure, requiring a
reprint. And what happens then? They ask the agency or the printer that handled
it the first time to do the reprint. In doing so, the ownership of that
brochure has effectively been left in the hands of the agency or the printer,
and the company—if it wants a reprint later—has to go back to them for it,
without the chance to request quotes from other printers. Perhaps, if they
sought quotes from other printers for this second round, they’d find the
reprint would be cheaper, but they can’t because they don’t have the necessary
printing plates (photoliths) for the reprint—the original printer kept them
after the first job.
Therefore, it’s essential to make it clear to agencies
and printers that, once they’ve been chosen to produce those brochures and the
job is complete, they must hand over the printing plates to the company. If a
reprint is needed later, it’s logical to request a quote from them, but not
only from them. Isn’t it standard practice to always get three quotes for
comparison? So why isn’t this done for reprints? Simply because the
commissioning company hasn’t demanded that the printing plates be handed over
once the job is finished.
This way, every time we needed a new reprint, we
requested quotes from three printers, and the job went to the one offering the
lowest price on that occasion.
And there’s even another advantage. Often, when
deciding to create a new brochure, we reuse the cover, interior, or a specific
page from a previous one. In this case, the designer or agency only needs to
create the artwork for the new pages, because we already have the final artwork
and printing plates for the repeated sections. We can then pass these along to
the printer handling the new job.
Of course, it’s more convenient for the Advertising
Manager to have a single point of contact (the advertising agency) that takes
care of everything, with the manager simply giving approvals along the way… but
this is more expensive than if the Advertising Manager takes charge and
oversees every step.
And this doesn’t mean doing away with advertising
agencies—do you know why?
Because the savings achieved with this approach aren’t just “saved” money—they’re funds that can be reinvested into more advertising. And part of that money will end up back with the advertising agencies for other campaigns.
Because the savings achieved with this approach aren’t just “saved” money—they’re funds that can be reinvested into more advertising. And part of that money will end up back with the advertising agencies for other campaigns.
A journey through the history of the pharmaceutical industry and one of its great laboratories that had its origins in Alfred Nobel...
“From Alfred Nobel to AstraZeneca”: https://a.co/d/9svRTuI
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